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An Artist’s Sorrows

As the nightingale went home in the morning and hung his golden harp on the peg, he said in a bitter tone — ’Let them be sure of this, I will not sing again.’

And his wife came up to him with chirpings and hoppings to soothe him:  but nothing availed; it was clear to all that he was bitterly affronted.

Every night he went out and sang his loves to the rose; the night air throbbed and quivered to the sound.

His wife sat at home, and was contented if he was happy; moreover, she thought that, however his love raged, no harm could possibly come of it.

And now at her entreaty he told her of his sorrows, and how deeply he was wounded by what had passed.

‘I sang sweetly! I sang sweetly! the rose opened her leaves; it seemed to me that the moon rose earlier than her wont.

‘All things listened — all things near and far off listened, save only the youth and maiden who were close to me.

‘I sang sweetly! I sang sweetly! but they only turned and whispered to each other…’

—V. A. R., “An Artist’s Sorrows,” from the Kamschatskan, Poems, 1867

Watching the April bottlebrush without spectacles

green & light shimmering
dancing in the sunlight
little red fuzzy flames
burn quietly in the breeze
mottled blue patches
of serene springtime sky
blaze beautifully behind
a lively bejeweled scene
medallions of shade and color
twinkle in the afternoon
a mama hummingbird hovers
with wings so fast, silence
is no longer golden — she is
the sounds of the winds
overtake my soul and
carry it far off into the skies

—Terri Guillemets

Blind cheerfulism

“At any rate, I remain cheerful — if only through some inner necessity. Cheerfulness will prevail. I believe it in my bones… While there is a chance of the world getting through its troubles I hold that a reasonable man has to behave as though he was sure of it. If at the end your cheerfulness is not justified, at any rate you will have been cheerful.”

—H. G. Wells, Apropos of Dolores, 1938