metaphor

Weekly feels

Saturday:

Sunday:

Monday:

Tuesday:

Wednesday:

Thursday:

Friday:

Images in the public domain, modified t.g.
• Saturday — Zandrie by Marian Edwards Richards, 1909, illustration by Harriet Roosevelt Richards, published by The Century Co., contributed by New York Public Library, digitized by Google Books, books.google.com
• Sunday — Happy Days by Oliver Herford, 1917, illustrated by John Cecil Clay, published by Mitchell Kennerley, Internet Archive, contributed by University of California Libraries, digitizing sponsor Microsoft, archive.org
• Monday — Wellcome Collection. ‘A young woman of Vienna who died of cholera, depicted four hours before death.’ Coloured stipple engraving, c.1831. wellcomecollection.org
• Tuesday — Happy Days by Oliver Herford, 1917, illustrated by John Cecil Clay, published by Mitchell Kennerley, Internet Archive, contributed by University of California Libraries, digitizing sponsor Microsoft, archive.org
• Wednesday — I got this from an old book years ago but haven’t yet been able to find my notes with the source; oops.
• Thursday — Woman in Sacred Song, compiled and edited by Eva Munson Smith, 1888 edition, published by Arthur E. Whitney, digitized by Google Books, books.google.com
• Friday — Wellcome Collection. ‘Skeletons dancing.’ Etching by R. Stamper after Christopher Sharp. 1700s. wellcomecollection.org

Quiet desert

“The desert was quiet. The coyotes were not howling yet. I was my own howling coyote. Outwardly a comfortable-looking man in an arm-chair, smoking a pipe, I was inside a half-starved little coyote, out there on the dark desert, howling to the stars.”

—J. B. Priestley (1894–1984), Midnight on the Desert: A Chapter of Autobiography, 1917

Sylvia’s figs

“I saw my life branching out before me like the green fig tree in the story.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out.

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

—Sylvia Plath (1932–1963), The Bell Jar, 1963