Springtime is a poet —
the blue sky its blank page
so vibrant green in rhyme
a different metre for every clime
birds chirping to keep the time
wildflowers yellow, red, purple divine
words dancing on tall blades of grasses
sparkling in the morning dews
no commas the flow keeps buzzing
vernal dashes & blossoming branches
on newly greening verdant trees
refrains whispering in each breeze
butterflies — floating apostrophes
ladybugs dot floral question marks
blissful bees stray stanza to stanza
seeds disperse from verse to verse
continuing a poem that’s never ended
and into summer’s colors is blended
poetry: about
Plexus
we feel poetry and art
in the sensitive veins
that run through soul and
carry not blood but spirit
The Prisoner
If you have not a bird inside you,
You have no reason to sing.
But if a pent bird chide you,
A beak and a bleeding wing,
Then you have reason to sing.
If merely you are clever
With thoughts and rhymes and words,
Then always your poems sever
The veins of our singing-birds,
With blades of glinting words.
Yet if a Song, without ending,
Inside you choke for breath,
And a beak, devouring, rending,
Tear through your lungs for breath,
Sing—or you bleed to death.
—Louis Golding (1895–1958), “The Prisoner,” Sorrow of War, 1919
Ease your sweet heart
Mother dear —
You worry about me
because I write sad poems —
But I promise you:
I am okay —
Writing purges my frustrations
and vents my steam
the pen is my psychiatrist
and ink my medicine —
When life feels off-balance
back to the writing board I go
I do not hide but seek
my emotions in words
and blot them on the paper
which blots it all out of my soul —
You see sad words, but to me
all my poems are happy
because creating them heals me —
Guaranteed, and believe me
because I love you so:
your daughter is just fine —
If ever I stop writing poems
that is when you should worry.
Flight path
I look out my office window
working too late, again
The half-moon is round
with a glowing halo —
I know it’s pollution but
my heart sees fairy dust
or the happily ever after
romance of a bedtime story
And next to the bright moon
with its fringe of murky light
soars a large airplane
with its lights flashing
and I can hear its engine
even with my windows closed
(it’s hot outside, otherwise —
you know darn well —
I would open them!)
The plane’s lights —
red, green, white orbs
of unsightly technological safety —
are ruining the beautiful night sky
and distracting me from
my dusty fairy-tale moon
Yet maybe
at last
I realize
what’s been
obscuring
my poetic vision
I always seem to focus
on that beautiful moon
and the romantic dark sky
but ignore the 737 monstrous
hunk of metallic civilization
hurling itself through the night,
followed by a second aircraft
and then a third and fourth,
as if the airport is shooing
all her noisy little children
out of the house to play —
And even though that airplane
is hideous and loud
and aerial anti-serenity —
it’s life.
And what is poetry —
if not life?
Perhaps it carries
newlywed lovers
who were finally married
after COVID cancellations,
leaving on the honeymoon
they saved up years for —
and in that plane
is just as much fairy tale
as that beautiful-ugly
dust veiling the moon.
Word altar
An author can be just a writer, but a translator must always be a poet.
Elderberry prime
Autumn birds speak cheerful poetry from their berry-stained beaks.
One boot off
“On the floor of your mind, then — is it not this that makes you a poet? — rhythm keeps up its perpetual beat. Sometimes it seems to die down to nothing; it lets you eat, sleep, talk like other people. Then it swells again and rises and attempts to sweep all the contents of your mind into one dominant dance. Tonight is such an occasion. Although you are alone, and have taken one boot off and are about to undo the other, you cannot go on with the process of undressing, but must instantly write at the bidding of the dance. You snatch pen and paper; you hardly trouble to hold the one or to straighten the other. And while you write, while the first stanzas of the dance are being fastened down, I will withdraw a little and look out of the window. A woman passes, then a man; a car glides to a stop and then — but there is no need to say what I see out of the window, nor indeed is there time, for I am suddenly recalled from my observations by a cry of rage or despair. Your page is crumpled in a ball; your pen sticks upright by the nib in the carpet… You are rasped, jarred, thoroughly out of temper. And if I am to guess the reason, it is, I should say, that the rhythm which was opening and shutting with a force that sent shocks of excitement from your head to your heels has encountered some hard and hostile object upon which it has smashed itself to pieces. Something has worked in which cannot be made into poetry; some foreign body, angular, sharp-edged, gritty, has refused to join the dance…
“The poet as I guess has strained himself to include an emotion that is not domesticated and acclimatized to poetry; the effort has thrown him off his balance; he rights himself… by a violent recourse to the poetical — he invokes the moon or the nightingale. Anyhow, the transition is sharp. The poem is cracked in the middle. Look, it comes apart in my hands: here is reality on one side, here is beauty on the other; and instead of acquiring a whole object rounded and entire, I am left with broken parts in my hands…”
—Virginia Woolf (1882–1941), letter to John Lehmann, 1931
Vs.
poetry is combat—
soul verses world
The graceful and beauteous
Flowers rewrite soil, rain, and sunshine into petal’d poetry.
Glows & blossoms
The glow of the moon is poetry
The blossoming of flowers is poetry
The blossoming of woman is poetry
The glow of woman is poetry —
and even more so, because
the light comes from within.
Edwin Markham with book
a thinking eye
but jolly cheek
a furrowed brow
but kindly stance;
the hair of a hippie
and student & master—
the burden of life
and love of wife—but
something perpetually
unsettled within him;
button-up coat over
raw, naked soul—
a book in his hand
and ten in his pen
unedited freewriting experiment, inspired by the “barbaric yawp” scene from Dead Poets Society
Edwin Markham profile
hair like roaming waves of the sea
eyes reflecting the light of heaven—
studious, compassionate, soulful—
pythagorean shiny nose
laugh lines loved into place
a beard that let the cat in
face aglow with manly health,
honesty and freedom
unedited freewriting experiment, inspired by the “barbaric yawp” scene from Dead Poets Society