Collected

collected from other authors

An Artist’s Sorrows

As the nightingale went home in the morning and hung his golden harp on the peg, he said in a bitter tone — ’Let them be sure of this, I will not sing again.’

And his wife came up to him with chirpings and hoppings to soothe him:  but nothing availed; it was clear to all that he was bitterly affronted.

Every night he went out and sang his loves to the rose; the night air throbbed and quivered to the sound.

His wife sat at home, and was contented if he was happy; moreover, she thought that, however his love raged, no harm could possibly come of it.

And now at her entreaty he told her of his sorrows, and how deeply he was wounded by what had passed.

‘I sang sweetly! I sang sweetly! the rose opened her leaves; it seemed to me that the moon rose earlier than her wont.

‘All things listened — all things near and far off listened, save only the youth and maiden who were close to me.

‘I sang sweetly! I sang sweetly! but they only turned and whispered to each other…’

—V. A. R., “An Artist’s Sorrows,” from the Kamschatskan, Poems, 1867

The Poet, II

My body was once a beautiful house of marble,
Kissed to pale rose by the passionate heat of the sun,
Wherein through cunning channels flowed forever
Health-giving crimson blood in steady tides.

My eyes were then quick to see and to welcome beauty,
My lips smiled often with gratified desire,
My hands shook not, but were fit for caress or grapple,
My arms rose and my body moved in strength.

Then not a single line of any poem
Had my hands raped from my brain, but untouched and pure
They abode in the land of distant visions where no man
Heard my voice calling for them at eventide.

My blood lies in great black lakes now, sluggish and frozen,
Or fumes in like some boiling, stinging, poison brew
Till it suddenly stops in a lassitude unspoken,
Or bursts through my pores and covers me with red dew:

My eyes are bleared now and dull with sleepless midnights,
My lips are shrunken purses—their gold is spent,
My hands unsteadily clutch and paw and tremble,
My arms are as strings of macaroni bent.

And as for my chest, ’tis like a leaky air-box
Fixed to some cheap melodeon out of tune,
The bellows creak, the loose and brown keys rattle,
And the music that comes is like a dog’s sick moan.

But in my brain there seethes an adulterous hotchpotch
Of poems clean and disgusting, mad and sage;
And pain, like a dry fire, keeps them ever a-boiling
Till they splash over and blacken some wasted page.

Yes, I am a poet now to be mocked and applauded,
A turnspit that turns and must never taste the meat:
Behold how great I am, but I wait for a greater,
Even Death, who will silence the march of these crippled feet.

—John Gould Fletcher (1886–1950), “The Poet, II,” Fire and Wine, 1913

XXXI

My stiff-spread arms
Break into sudden gesture;
My feet seize upon the rhythm;
My hands drag it upwards:
Thus I create the dance.

I drink of the red bowl of the sunlight:
I swim through seas of rain:
I dig my toes into earth:
I taste the smack of the wind:
I am myself:
I live.

The temples of the gods are forgotten or in ruins:
Professors are still arguing about the past and the future:
I am sick of reading marginal notes on life,
I am weary of following false banners:
I desire nothing more intensely or completely than this present;
There is nothing about me you are more likely to notice than my being:
Let me therefore rejoice silently,
A golden butterfly glancing against an unflecked wall.

—John Gould Fletcher (1886–1950), Irradiations, 1915

Stoic

I searched the history of grass,
Beneath hawk-shadows blowing past.

I learned the timelessness of stone;
Saw forest-flesh and forest-bone
Reach briefly up, go swiftly down,
Crash in green, dissolve to brown.

Taught by decay and schooled by molder,
I can turn a stoic shoulder
To beauty spiking searching eyes
And breasts defenselessly unwise.

Against impermanence I lock
My soul, confiding it to rock.

—Frances M. Frost (1905–1959), “Stoic,” Hemlock Wall, 1929

A curious glimmering thing

“Time has proved that the function of poetry is not to impart messages, but to explore the depths of emotion.

The poet is never a teacher, but always a learner. His poem is a venture at perilous discovery. The fact of writing is not the recording of something already known to the poet; it is his method of bringing to the light things that were previously in darkness for him.

The aim of poetry is to capture those rare moments of the poet’s experience when, for good or for evil, the consciousness of life sweeps through him like a flame… the moments when he becomes passionately aware of the crises of his spirit’s secret drama, and sees a pattern taking shape in the void, and words of utterance come singing to his lips.

Out of that dizzy instant he emerges, bewildered but excitedly hopeful, bringing with him his poem. Here, he says, is a curious glimmering thing that I discovered far down in the sea of my dimly conscious spirit:  perhaps it will have a fascination for you, too; perhaps you, too, will see in its pale sphere some hint of the iridescent lights that played on its surface when in those vast deeps I found it.”

—Arthur Davison Ficke (1883–1945), “The Nature of Poetry,” 1926

I Vowed that I Would Be a Tree

I vowed that I would be a tree.
      I went up to an oak and said,
“What shall I do that I might be
A beech, an oak, or any tree,
      With branches leafing from my head?”

There was a sound of sap that ran,
      There was a wind of leaves that spoke.
“So you would cease to be a man,
And be a green tree, if you can,
      A pine, a beech, an oak?”

I answered, “I am tired of men,
      As tired as they of me.
I fain would not return again
To the perplexity of men,
      But straightway be a tree.”

There was a sound of winds that went
      To summon every oldest tree,
To hold their austere Parliament
About the thing had craved to be
      Elect of their calm company.

There was a sound of bursting tide,
      There was a wash of clanging foam,
A crumbling shore, a bursting tide.
There came a thunder that outcried,
      “Go, wretched mortal, get thee home!

“Who art thou that would be a tree,
      Least of the weeds that shoot and pass?
Bide till a Wisdom come, and see
Before a mortal be a tree,
      He first must be a blade of grass!”

—Louis Golding (1895–1958), Sorrow of War, 1919

Agreed!

“I don’t know of any writer who doesn’t look back at their earlier books and think:  can we just shred them? You know, can we go door to door and collect them and shred them?”

—David Sedaris, to Bill Maher, on Real Time, HBO, 2023 March 24th