pick out your fears
worries, anger, and hate
from the bag of stones you carry
and love, find yourself lifted by
the wings of featherweight faith
—Terri Guillemets
pick out your fears
worries, anger, and hate
from the bag of stones you carry
and love, find yourself lifted by
the wings of featherweight faith
—Terri Guillemets
syl·la·bles in my life
i cannot utter anymore
with the grace of youth
i stutter with freedom
and slur in wild love
words that once made
sense now are blind
faith doesn’t see and
hope rarely speaks
i’ve never needed you
to spell it out for me
the echo of emptiness
calls out like the sea
ebbing flowing waving
crashing shoring up
a million tear drops
whisper gently into
the gossamer of years
winds blow away our
comforts of home in
a smoke of memories
lost childhood remains
both here and gone
audible and sadly silent
echoes of those poems
voice words that sound
exactly the same but mean
something entirely different
—Terri Guillemets
i am naked and spinning
unmasked and repenting
wasn’t i just fourteen
mere unwound hours ago
i breathed, i sang
a lyric or two, loudly
in my quiet voice —
cycled through colors
found beautiful hues
my butterfly wings
cripplingly morphed
to chrysalis again
— reflect retread —
growing wisdom in my head
thrust out the blonde hair
and that all the new
is gray matters not —
focus is a summit reached
rock bottom at the top
perimenopausal paradox —
if someone would listen
if anyone would care
from up here or down there
the invisible i have become
could unhide everted —
but what has burned out
is not the heart soul
bones mind or gut but
only the brittle shell
of youth — falling apart
shedding and crumbling
finally wasting far away
leaving a glowing
blossom unsplayed —
—Terri Guillemets
lobotomy by sparrow beak
brain pecked full of dread
brimful society syrupy sweet
carelessness killing us dead
memoryvines creeping through
sockets of wasteland dreams
a humming vibration of stasis
stuck lid on boiling progress
jammed gears of regression—
a spinning orbiting rotation
would be movement at least
incessant click click click
of the going nowhere echoes
like fading robotic heartbeats
a constant why? why? why?
the most important question
that never even mattered
answerless, unanswerable
speedbumps of psychological
queries emerging like stones
in the body — stuck motion
mind eternally trying, failing
to write its story, click clack
bones, ligaments, thoughts
stutter sputter twitch to death
choking on ink overflowing
poems destined for somewhere
turned inward flooding nowhere
release my brain to infancy
for it is smothered with age
—Terri Guillemets
shards of memory
jagged-edged
broken emotions —
wholeness
is the fossil
of childhood —
growing up
fractures
many things —
—Terri Guillemets
God completed my heart
then you finished it —
mortal combat style
—Terri Guillemets
Saturday:
Sunday:
Monday:
Tuesday:
Wednesday:
Thursday:
Friday:
Images in the public domain, modified t.g.
• Saturday — Zandrie by Marian Edwards Richards, 1909, illustration by Harriet Roosevelt Richards, published by The Century Co., contributed by New York Public Library, digitized by Google Books, books.google.com
• Sunday — Happy Days by Oliver Herford, 1917, illustrated by John Cecil Clay, published by Mitchell Kennerley, Internet Archive, contributed by University of California Libraries, digitizing sponsor Microsoft, archive.org
• Monday — Wellcome Collection. ‘A young woman of Vienna who died of cholera, depicted four hours before death.’ Coloured stipple engraving, c.1831. wellcomecollection.org
• Tuesday — Happy Days by Oliver Herford, 1917, illustrated by John Cecil Clay, published by Mitchell Kennerley, Internet Archive, contributed by University of California Libraries, digitizing sponsor Microsoft, archive.org
• Wednesday — I got this from an old book years ago but haven’t yet been able to find my notes with the source; oops.
• Thursday — Woman in Sacred Song, compiled and edited by Eva Munson Smith, 1888 edition, published by Arthur E. Whitney, digitized by Google Books, books.google.com
• Friday — Wellcome Collection. ‘Skeletons dancing.’ Etching by R. Stamper after Christopher Sharp. 1700s. wellcomecollection.org
All these years
I thought ‘barren’
meant of the womb —
but now my body
has threatened me
with menopause
and I realize it
means of the heart.
—Terri Guillemets
I am searching for my feelings
through shelves of dusty books
can’t help but feel I’ve left them
in some forgotten ancient nooks
as if an author long before me
captured my emotions in his day
and saved them in fine poetry
for future me to find someway
—Terri Guillemets
once you’ve forgiven yourself
do not un-forgive yourself on
each anniversary of the guilt
—Terri Guillemets
there are only so many poems one can write
about umber tree roots and the glowing moon
before the psyche starts crying out to be heard
the suffering of the world isn’t poetic
but it is essential to poetry
—Terri Guillemets
the scale now shows me
one hundred sixty-eight
but in those simple digits
I see rejection and pain
sugar, laziness, exhaustion
hormones splayed out of whack
menopause ready to rumble
plaque buildup and repressions
anxiety, regret, some depression
the past, the future, sheer panic
tension, disoriented expectations
ice cream, sweet junk addictions
griefs, hurts, disappointments
bad habits, cliffs, fear, falling
the eating of all my emotions
gluttony and gorging ghosts
turbulent raging blood glucose
sleepless nights, too-busy days
nerves, toxins, worry, age
unwelcome rapid-fire change
lack of trying, trying too hard
loss of control, culinary excesses
no longer fitting into my dresses
—Terri Guillemets
for love’s rewards we stick our necks out
vulnerability a’pulse, blissful anticipation —
and love kisses our risk and nuzzles our napes
but after a time — short or long or in between —
we lose our heads to his swift sharp guillotine
our foolish blind hearts beat on nonetheless
and carry a torch right up to the inquest
—Terri Guillemets