metaphor

Sessile

Life is a dance of balance.
Life is creative falling.
Life is half spent getting back up.
Life is learning to dance with a partner —
and learning to dance without a partner,
and letting go enough to dance in the crowd.
Life is a freestyle jig.
Life is a twirl and a bow.
Life is the best dance you’ve ever danced
and the only chance you’ll get, so dance!

Death is your dancing soul returning to the heavens.

Terri Guillemets

Spiraling

midlife changes curled-up
forties are fiddlehead ferns
it doesn’t look like much
until it becomes unfurled
and once we get it open
things may break apart —

eventually nests unwind
but will we bear fortitude
to turn that new life into
something just as beautiful
and yet even more free
spiraling towards fifty?

Terri Guillemets

You’re the driver

You know the Model of your Car.
You know just what its powers are.
You treat it with a deal of care,
Nor tax it more than it will bear.
But as to self — that’s different.
Your mechanism may be bent,
Your carburetor gone to grass,
Your engine just a rusty mass.
Your wheels may wobble and your cogs
Be handed over to the dogs,
And on you skip, and skid, and slide,
Without a thought of things inside.
What fools indeed we mortals are
To lavish care upon a Car,
With ne’er a bit of time to see
About our own machinery!

—John Kendrick Bangs (1862–1922), “Motors,” The Cheery Way: A Bit of Verse For Every Day, 1920

Changing

I used to love leaves changing
falling off the trees, being blown away
to wherever leaves go — but now
after fifty gorgeous autumns and winters
in anthropomorphized fears I wonder:

What if they don’t come back?
what if they’re not strong enough
or reborn or determined enough
what if the tree has just had enough
of storms and harsh seasons
and it’s ready to leave things be
comfortable now baring itself always
without even bothering anymore
maybe it’s too tired to keep blooming
or perhaps green suddenly annoys it
the burgeoning whippersnappers
flaunting verdant youth and beauty.

What if this has been the final fall
because what if I can’t spring back up
and what if I’m a bare branch forever?—

Terri Guillemets

An Artist’s Sorrows

As the nightingale went home in the morning and hung his golden harp on the peg, he said in a bitter tone — ’Let them be sure of this, I will not sing again.’

And his wife came up to him with chirpings and hoppings to soothe him:  but nothing availed; it was clear to all that he was bitterly affronted.

Every night he went out and sang his loves to the rose; the night air throbbed and quivered to the sound.

His wife sat at home, and was contented if he was happy; moreover, she thought that, however his love raged, no harm could possibly come of it.

And now at her entreaty he told her of his sorrows, and how deeply he was wounded by what had passed.

‘I sang sweetly! I sang sweetly! the rose opened her leaves; it seemed to me that the moon rose earlier than her wont.

‘All things listened — all things near and far off listened, save only the youth and maiden who were close to me.

‘I sang sweetly! I sang sweetly! but they only turned and whispered to each other…’

—V. A. R., “An Artist’s Sorrows,” from the Kamschatskan, Poems, 1867

Bottled

trapped in a bottle
thrown out to sea

trapped in a bottle
my wishes are three

trapped in a bottle
that’s drunken me

trapped in a bottle
emotions stormy

trapped in a bottle
flashing brightly

trapped in a bottle
this vessel empty

Terri Guillemets