If you feel beautiful, then you are. Even if you don’t, you still are.
beauty
Glows & blossoms
The glow of the moon is poetry
The blossoming of flowers is poetry
The blossoming of woman is poetry
The glow of woman is poetry —
and even more so, because
the light comes from within.
Water cycle
to cry is beautiful —
the beauty of one’s pain
leaving the heart
blackout poetry created from Maud Casey, The Man Who Walked Away, 2014
Muted striations
sand-dust with cream
intensely mauve’d rust
velvety blue-grey-indigo —
layers of early winter’s
desert dawn horizon
Flow with life
You’ve got to keep moving to keep the beauty of life in perspective. If you hold still too long, things go blurry.
WILD’ness
WILD
is beautiful
wild is free —
wilderness is not
an empty canvas
for Man to do
what he will —
wilderness is
an already full canvas
painted by God
Majesty of nature
“We can tap into the majesty of nature by noticing a single fleeting moment of beauty.”
—Christian Howard, Apple Fitness+, calm meditation, Ep96, 2022
Leaden Echo & Golden Echo
THE LEADEN ECHO
How to kéep—is there ány any, is there none such, nowhere known some, bow or brooch or braid or brace, láce, latch or catch or key to keep
Back beauty, keep it, beauty, beauty, beauty,… from vanishing away?
Ó is there no frowning of these wrinkles, rankèd wrinkles deep,
Dówn? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey?
No
Nor can you long be, what you now are, called fair,
Do what you may do, what, do what you may,
And wisdom is early to despair:
Be beginning; since, no, nothing can be done
To keep at bay
Age and age’s evils, hoar hair,
Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs and worms and tumbling to decay;
So be beginning, be beginning to despair.
O
Be beginning to despair, to despair,
Despair, despair, despair, despair.
THE GOLDEN ECHO
Spare!
There ís one, yes I have one (Hush there!);
Only not within seeing of the sun,
Not within the singeing of the strong sun,
Tall sun’s tingeing, or treacherous the tainting of the earth’s air,
Somewhere elsewhere there is ah well where! one,
One. Yes I can tell such a key, I do know such a place,
Where
Undone, done with, soon done with, and yet dearly and dangerously sweet
Of us, the wimpled-water-dimpled, not-by-morning-matchèd face,
The flower of beauty, fleece of beauty, too too apt to, ah! to fleet,
Never fleets móre, fastened with the tenderest truth
To its own best being and its loveliness of youth: it is an everlastingness of, O it is an all youth!
Come then, your ways and airs and looks, locks, maiden gear, gallantry and gaiety and grace,
Winning ways, airs innocent, maiden manners, sweet looks, loose locks, long locks, lovelocks, gaygear, going gallant,
Resign them, sign them, seal them, send them, motion them with breath,
And with sighs soaring, soaring síghs deliver
Them; beauty-in-the-ghost, deliver it, early now, long before death
Give beauty back, beauty, beauty, beauty, back to God, beauty’s self and beauty’s giver.
See; not a hair is, not an eyelash, not the least lash lost; every hair
Is, hair of the head, numbered.
Nay, what we had lighthanded left in surly the mere mould
Will have waked and have waxed and have walked with the wind what while we slept,
This side, that side hurling a heavyheaded hundredfold
What while we, while we slumbered.
O then, weary then whý should we tread? O why are we so haggard at the heart, so care-coiled, care-killed, so fagged, so fashed, so cogged, so cumbered,
When the thing we freely fórfeit is kept with fonder a care,
Fonder a care kept than we could have kept it, kept
Far with fonder a care (and we, we should have lost it) finer, fonder
A care kept.—Where kept? Do but tell us where kept,
Yonder.—What high as that! We follow, now we
Yonder.
—Gerard Manley Hopkins (1844–1889), “The Leaden Echo and the Golden Echo,” maidens’ song from the unfinished tragedy St. Winefred’s Well, in Poems of Gerard Manley Hopkins, now first published, edited and with notes by Robert Bridges, 1918
Arizona sunsets
“If I tint these pages with too many sunsets, it is not from unawareness of my weakness, but because without them a description of Arizona does not describe. In the afternoon hours, between four and eight, the country wakes and glows, and has its moment, like a woman whose youth was plain but whom middle age has touched with charm and mystery.”
—Winifred Hawkridge Dixon, Westward Hoboes: Ups and Downs of Frontier Motoring, 1921
Waste away
Saw this trash bin today. Call me crazy but not only does it look kinda pretty, it also seems to suggest many metaphors for the past fifteen years.