they never stand still—
but they’re not
in a hurry either
outdoors
XXXI
My stiff-spread arms
Break into sudden gesture;
My feet seize upon the rhythm;
My hands drag it upwards:
Thus I create the dance.
I drink of the red bowl of the sunlight:
I swim through seas of rain:
I dig my toes into earth:
I taste the smack of the wind:
I am myself:
I live.
The temples of the gods are forgotten or in ruins:
Professors are still arguing about the past and the future:
I am sick of reading marginal notes on life,
I am weary of following false banners:
I desire nothing more intensely or completely than this present;
There is nothing about me you are more likely to notice than my being:
Let me therefore rejoice silently,
A golden butterfly glancing against an unflecked wall.
—John Gould Fletcher (1886–1950), “XXXI,” Irradiations, 1915
Venerable
Autumn is Spring turned antique.
Golden moments
i don’t care how rough a day i had
when i see the golden hour sunset
painting the trees with happy light
and feel a cool breeze on my face—
all is suddenly and magically reset
heart and mind cleared of burdens
—so the gratitude has a place to be
Happy in the forest
The best part of happiness is the pines.
Springtime sky & no reason why
Have you ever seen anything more beautiful
than a heavy dark-silver cloud
taking up half the sky
ready to lavish the gift of rain
unto the waiting earth —
than huge wandering clouds
marbled in every subtle shade of gray
bordered with light and hope
shifting and swirling every moment
in a slow dance with the winds?
Have you ever felt anything as beautiful
as the breeze on your face
or that first, fat raindrop
that falls on your head —
as the sun caressing every inch of your flesh
warming and calming you to the core?
Have you ever heard anything more beautiful
than the wind in the palms, the pines,
the cottonwood leaves and tall green trees —
than the sound of merry birds singing
or water trickling through a forest creek —
than soul-shaking booming thunder
filling the width and depth and height
saturating with stunning sound
the infinite and electrified sky?
Have you ever tasted anything as beautiful
as pure, clear, cool water
the essence of earth and life
the most refreshing, primal elixir
a quenching, flowing vitality
the distinct taste in each satisfying sip
of both nothing and everything —
or the raw power of the earth
in the layers of an onion
the fresh energy of vibrant greens —
or the sweetness of the soil
in a dense crunchy colorful carrot
or a perfectly ripe juicy berry
staining your taste buds
and delighting your soul?
Have you ever smelled anything so beautiful
as orange blossoms in the nighttime air
with a perfume more intoxicating
than any other seduction —
as a rejuvenating and serene pine forest
with a thick carpet of aromatic green needles
or the dust-earth smell before the rain comes —
as salty, nourishing scents of the nearby ocean
or invigorating crisp clean air of the mountains
breathing so close to the fresh, free, blue sky —
as the warm, exciting aroma of springtime
giddy and green, flowery and pristine?
Goosebumps
A flock of honking geese
just flew over my city backyard
goosebumps, I got goosebumps
never, ever have I seen this
beautiful feat of nature from
my own little speck I call home
for an awesome morning moment
all my human burdens forgotten
Out!
Come, abashed Self! admit one thing:
You have been indoors too much of late…
You should have been out wrestling with the sun,
Or running races with the rolling Earth…
Where’s the old smell of you, when, nostrils dilated,
You were drenched with sea-salt and soil-odor?
Where’s the lusty tang of your voice, cleansed by strong winds?
Your sun-burnt cheek?
And the animal magic of your eyes?
Out of the house with you…
Into the water! Into the sky!
Over the hills!
—James Oppenheim, “Out!,” War and Laughter, 1916
Feuille morte
dried crackling leaves
though dead
are never quite still
When you were a child
When you were a child, on a summer afternoon,
Did you lie in tall grass, listening to the crickets
Foreshadowing autumn, listening to the small
Infinite sounds of earth? Did you press your cheek
And your short brown body furiously down
Into the grass, so loving the narrow roots,
So loving the hard wild flanks of hills, and summer,
That when your slight strength broke at last, you cried…
Then rising in the slow wind, cried no more
But stood and gazed with grave young eyes upon
The brief, unburdened hours lived and gone,
Yourself, the child, abandoned in the grass,
Yourself, the man, earth’s lover, who would follow
The strong years deathward, aching and possessed?
—Frances Frost, “Year of Earth,” These Acres, 1932
Enclosed
Our bodies are meant
for the sun, the rain
the gusty winds
starlight and moon baths
fresh air and seasons —
so why do we trap ourselves
in indoor cages?
If we can’t hear birds sing
or feel invigorating breezes —
how are we to be refreshed
to heal, to know the world
beyond the borders
of our bodies?
Sixty-nine degrees
bliss runs wild with the breeze today—
this moment a delicious autumn cake
frosted with october’s dulcet bouquet—
worries let serenity breathe and play
while sweet nature gladness partakes
Campfire
campfire flames kiss the night
stars in distant skies blaze bright
ghost story whispers all affright
rustling sounds just out of sight