Edwin Markham with book

a thinking eye
but jolly cheek
a furrowed brow
but kindly stance;
the hair of a hippie
and student & master—
the burden of life
and love of wife—but
something perpetually
unsettled within him;
button-up coat over
raw, naked soul—
a book in his hand
and ten in his pen

Edwin Markham portrait from Gates of Paradise

Terri Guillemets
unedited freewriting experiment, inspired by the “barbaric yawp” scene from Dead Poets Society

Edwin Markham profile

hair like roaming waves of the sea
eyes reflecting the light of heaven—
studious, compassionate, soulful—
pythagorean shiny nose
laugh lines loved into place
a beard that let the cat in
face aglow with manly health,
honesty and freedom

Edwin Markham portrait from The Man with the Hoe with Notes by the Author

Terri Guillemets
unedited freewriting experiment, inspired by the “barbaric yawp” scene from Dead Poets Society

The Wharf of Dreams

Strange wares are handled on the wharves of sleep:
Shadows of shadows pass, and many a light
     Flashes a signal fire across the night;
Barges depart whose voiceless steersmen keep
     Their way without a star upon the deep;
And from lost ships, homing with ghostly crews,
     Come cries of incommunicable news,
While cargoes pile the piers, a moon-white heap—

Budgets of dream-dust, merchandise of song,
Wreckage of hope and packs of ancient wrong,
Nepenthes gathered from a secret strand,
     Fardels of heartache, burdens of old sins,
     Luggage sent down from dim ancestral inns,
And bales of fantasy from No-Man’s Land.

—Edwin Markham, “The Wharf of Dreams,” The Man with the Hoe and Other Poems, 1899