Desiccated

I write of only 3%
of the landscape
around me —
the green trees
colorful flowers
amazingly adaptive
dryland wildlife
and blind myself
to the rest of it —

but it’s time
to take a good look
and acknowledge
my selective seeing —
the 97% is dull
barren, stark, harsh, hot

out my bedroom window
there is a plain brown
block walled fence, my
neighbor’s white-metal
shed roof, off of which
glares the sun so brightly
it’s blinding, not a speck
of green in sight, except
one small weed emerging
from dusty gray rocks —

yes, there is a lizard
on the wall, doing push-ups
in the morning sun
and I watch him
with fascination
awed with nature
I forget the surrounding
urban desert ugliness —

until suddenly I wonder
where will he get
his next water?
surely from someone’s
yard watering system
but where do we  get
that precious water
for our thirsty homes?
and how much longer
will we be fortunate
enough to have it?

our city and county
allow so much over-
development, it feels
as if they are slowly
killing us, overcrowding
us, not caring about
our quality of life
nor the lizard’s —

but maybe, just maybe
we Phoenicians are
simply outright foolish
for trying to live here
in our air-conditioned
fortresses while the
city dries up around us

Terri Guillemets

Leaves for the Dead

I who have loved the sound of leaves
Restlessly writhing into speech
Desire that to my silent grave
Only leaves shall reach.

So I who walked above the ground,
And leaves that danced before the sun
May meet below to form one dust
And in the earth be one.

When the last wind has stripped the boughs
Some autumn, go out anywhere
To any tree, and look beneath
The leaves:  I may be there.

—Paul Engle, “Leaves for the Dead,” 1929

Death lights heavy

Hummingbird mama
abandons her nonviable eggs —
but keeps checking back
a few more times, just to be sure.

An arm falls from a sickly saguaro
and breaks open on the ground
like a prickly green eggshell —
after decades of desert still-life
a few seconds of death-motion.

But the night breeze is so beautiful
those breezes are — so beautiful
it’s hard not to get swept away.

Terri Guillemets

March Night

I shook off the house like a hooded cape,
And came out, free, into the March-blown street…
At a lash of the gale, at a sight of the cloud-tattered skies,
As a coat discarded,
I shook off civilization
And became wild,
And my naked soul raced the clouds,
And the flavor of the Earth was fresh and primitive…

—James Oppenheim (1882–1932), “March Night,” War and Laughter, 1916

I Vowed that I Would Be a Tree

I vowed that I would be a tree.
      I went up to an oak and said,
“What shall I do that I might be
A beech, an oak, or any tree,
      With branches leafing from my head?”

There was a sound of sap that ran,
      There was a wind of leaves that spoke.
“So you would cease to be a man,
And be a green tree, if you can,
      A pine, a beech, an oak?”

I answered, “I am tired of men,
      As tired as they of me.
I fain would not return again
To the perplexity of men,
      But straightway be a tree.”

There was a sound of winds that went
      To summon every oldest tree,
To hold their austere Parliament
About the thing had craved to be
      Elect of their calm company.

There was a sound of bursting tide,
      There was a wash of clanging foam,
A crumbling shore, a bursting tide.
There came a thunder that outcried,
      “Go, wretched mortal, get thee home!

“Who art thou that would be a tree,
      Least of the weeds that shoot and pass?
Bide till a Wisdom come, and see
Before a mortal be a tree,
      He first must be a blade of grass!”

—Louis Golding (1895–1958), “I Vowed that I Would Be a Tree,” Sorrow of War, 1919