nature

When you were a child

When you were a child, on a summer afternoon,
Did you lie in tall grass, listening to the crickets
Foreshadowing autumn, listening to the small
Infinite sounds of earth? Did you press your cheek
And your short brown body furiously down
Into the grass, so loving the narrow roots,
So loving the hard wild flanks of hills, and summer,
That when your slight strength broke at last, you cried…
Then rising in the slow wind, cried no more
But stood and gazed with grave young eyes upon
The brief, unburdened hours lived and gone,
Yourself, the child, abandoned in the grass,
Yourself, the man, earth’s lover, who would follow
The strong years deathward, aching and possessed?

—Frances Frost, “Year of Earth,” These Acres, 1932

Stoic

I searched the history of grass,
Beneath hawk-shadows blowing past.

I learned the timelessness of stone;
Saw forest-flesh and forest-bone
Reach briefly up, go swiftly down,
Crash in green, dissolve to brown.

Taught by decay and schooled by molder,
I can turn a stoic shoulder
To beauty spiking searching eyes
And breasts defenselessly unwise.

Against impermanence I lock
My soul, confiding it to rock.

—Frances M. Frost (1905–1959), “Stoic,” Hemlock Wall, 1929

Enclosed

Our bodies are meant
for the sun, the rain
the gusty winds
starlight and moon baths
fresh air and seasons —
so why do we trap ourselves
      in indoor cages?

If we can’t hear birds sing
or feel invigorating breezes —
how are we to be refreshed
to heal, to know the world
beyond the borders
      of our bodies?

Terri Guillemets

Poems that stick with me

Watering the hibiscus
this afternoon —
its weary
parched-green leaves
wilting
in this too-early April heat —
I saw a gecko
who
climbed up the side
of the splintering planter box.

My first split-second
thought —
Alice Walker’s garden gecko.
Crouching,
perfectly still —
the both of us —
I stared at it
and took in
the wonder
of it all.

It didn’t move —
was it asking
for some water?

This bliss,
it was my Paradise.
Gray, rough-coated
nature —
staring right back at me
a foot from my face.

Slowly I moved the hose
just an inch in its direction.
Walker — I’d already
named it Walker —
disappeared so fast
I didn’t even see
it go.

I wish it would’ve stayed.
I had water to give
and troubles
to wash clean.

Terri Guillemets

referencing my favorite Alice Walker poem — “Going Out to the Garden,” 2011, in The World Will Follow Joy: Turning Madness Into Flowers, 2013

Deep calleth unto deep

great mysterious
multitudinous
voice of the sea —

a composite of all
sounds of the world
brought down
by all the rivers
in their courses
through the lands —

all the sounds
the earth utters
to the heavens
in its daily life —

the tinkle and drip
of pellucid springs
hidden deep in
remote hill countries —

the rattling laughter
of summer streams
with rustling leaves
and piping birds —

the deep whisper
of the woods and
the boom and roar
as they wrestle
with the winds —

the crash of waterfalls
echoes of mountains
the rush of storms and
roll and peal of thunder —

the merry shouts
of playing children
commingled murmurs
of manifold labor and
brooding world-spirit —

the clatter and
grinding of mills
the tumultuous
straining voices
of busy towns —

the world-embracing sea
has taken in and blended
and harmonized all these
into its own eternal call —

as you, child of the world
sit there and listen
your own comes back
to you in that mighty voice —

deep calling unto deep
the soul of the sea
to the soul of the man —

—Rev. James H. Ecob, D.D. (1844–1921), from “The Call of the Universe,” Psalm 42:7 sermon, 1904, poetically abridged by Terri Guillemets

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Ecob began his sermon: “I have long wanted some one whose soul hears, to write a poem on this subject, the call of the sea.” The good reverend already had the contents of the poem right there in his prose; I simply set it free for him and sincerely hope that the new creation is to his liking. —tg, 2023