“Old or new, the only sign I always try to rid my books of (usually with little success) is the price-sticker that malignant booksellers attach to the backs. These evil white scabs rip off with difficulty, leaving leprous wounds and traces of slime to which adhere the dust and fluff of ages, making me wish for a special gummy hell to which the inventor of these stickers would be condemned.”
—Alberto Manguel (b. 1948), The Library at Night, 2006
My parents used to read this story to my brothers and me — after dark, in scary voices. I loved it! The book set that the story is in eventually ended up in their attic for many years, but today we came across it and those cherished childhood books are now on my bookshelves.
“TEENY-TINY”
Reprinted from James Orchard Halliwell, Esq., “Fireside Nursery Stories,” Popular Rhymes and Nursery Tales: A Sequel to the Nursery Rhymes of England, 1849.
This simple tale seldom fails to rivet the attention of children, especially if well told. The last two words should be said loudly with a start. It was obtained from oral tradition, and has not, I believe, been printed.
Once upon a time there was a teeny-tiny woman lived in a teeny-tiny house in a teeny-tiny village. Now, one day this teeny-tiny woman put on her teeny-tiny bonnet, and went out of her teeny-tiny house to take a teeny-tiny walk. And when this teeny-tiny woman had gone a teeny-tiny way, she came to a teeny-tiny gate; so the teeny-tiny woman opened the teeny-tiny gate, and went into a teeny-tiny churchyard. And when this teeny-tiny woman had got into the teeny-tiny churchyard, she saw a teeny-tiny bone on a teeny-tiny grave, and the teeny-tiny woman said to her teeny-tiny self, “This teeny-tiny bone will make me some teeny-tiny soup for my teeny-tiny supper.” So the teeny-tiny woman put the teeny-tiny bone into her teeny-tiny pocket, and went home to her teeny-tiny house.
Now when the teeny-tiny woman got home to her teeny-tiny house, she was a teeny-tiny tired; so she went up her teeny-tiny stairs to her teeny-tiny bed, and put the teeny-tiny bone into a teeny-tiny cupboard. And when this teeny-tiny woman had been to sleep a teeny-tiny time, she was awakened by a teeny-tiny voice from the teeny-tiny cupboard, which said, “Give me my bone!” And this teeny-tiny woman was a teeny-tiny frightened, so she hid her teeny-tiny head under the teeny-tiny clothes, and went to sleep again. And when she had been to sleep again a teeny-tiny time, the teeny-tiny voice again cried out from the teeny-tiny cupboard a teeny-tiny louder, “Give me my bone!” This made the teeny-tiny woman a teeny-tiny more frightened, so she hid her teeny-tiny head a teeny-tiny further under the teeny-tiny clothes. And when the teeny-tiny woman had been to sleep again a teeny-tiny time, the teeny-tiny voice from the teeny-tiny cupboard said again a teeny-tiny louder, “Give me my bone!” And this teeny-tiny woman was a teeny-tiny bit more frightened, but she put her teeny-tiny head out of the teeny-tiny clothes, and said in her loudest teeny-tiny voice,
“Why be saddled with this thing called life expectancy? Of what relevance to an individual is such a statistic? Am I to concern myself with an allotment of days I never had and was never promised? Must I check off each day of my life as if I am subtracting from this imaginary hoard? No, on the contrary, I will add each day of my life to my treasure of days lived. And with each day, my treasure will grow, not diminish.”
—Robert Brault
Driving down the wrong road and knowing it,
The fork years behind, how many have thought
To pull up on the shoulder and leave the car
Empty, strike out across the fields; and how many
Are still mazed among dock and thistle,
Seeking the road they should have taken?
—Damon Knight (1922–2002), The Man in the Tree, 1984
“When the superficial wearies me, it wearies me so much that I need an abyss in order to rest.”
—Antonio Porchia (1886–1968), Voces, 1943–1966, translated from the Spanish by W. S. Merwin (1927–2019), 1968
“If you ever change your mind… you’re not stuck with it. You’ve got a lot of choices. If getting out of bed in the morning is a chore and you’re not smiling on a regular basis, try another choice.”
—Steven D. Woodhull
“Bartleby, in a singularly mild, firm voice, replied, ‘I would prefer not to.’”
—Herman Melville (1819–1891), “Bartleby, the Scrivener,” 1853
“I saw my life branching out before me like the green fig tree in the story.
From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out.
I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
—Sylvia Plath (1932–1963), The Bell Jar, 1963